The compositions of Maria W Horn (1989) implement synthetic sound, electroacoustic
and acoustic instruments and audiovisual components, often devicing generative and algorithmic processes to control timbre, tuning and texture. She employs a varied instrumentation ranging from analog synthesizers to choir, string instruments, pipe organ and various chamber music formats. Acoustic instruments are often paired with digital synthesis techniques, in order to extend the instruments timbral capacities. Often based on minimalist structures, her music explores the inherent spectral properties of sound and their ability to transcend time and space, reality and dream.
Booking inquiries: firstname.lastname@example.org
Film music inquiries: email@example.com
Comissons and other project proposals: firstname.lastname@example.org